Adrenaline Rush Entertainment podcast

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ARE Podcast- Taylor Swift ticket scam, Creed 20 year anniversary, Metallica Tour numbers


  [Photo by: Taylor Swift/Twitter]  Taylor Swift just dropped her first single since 1989, called "Look What You Made Me Do." Thanks in part to having some pretty wild samples on that track, plus a seriously hardcore rollout, the song has already peaked at #1 on the iTunes worldwide charts.   In support of her upcoming album Reputation, out in November, Taylor Swift will be embarking on tour. She'll also be using Ticketmaster's Verified Fan program for ticket sales, but with an interesting twist—and not a good one.  Read more: People think Taylor Swift is about to release a hardcore album, and it’s actually hilarious  You may have used the Verified Fan program if you purchased tickets to Paramore's U.S. tour, or twenty one pilots' Tour de Columbus dates. The gist is this: Prospective ticket buyers register on Ticketmaster, then are sent a code when tickets go on sale. The system was designed to stave off scammers.   Taylor Swift and Ticketmaster's partnership is a little different. Fans will still pre-register to be sent a code to purchase tickets, but after that point, they'll be able to participate in "boost activities" to "improve their place in line."   Jezebel first illustrated the "game" that these fans get to play: The registered buyers can bump up their place in line to receive a code by doing activities such as posting about the album on their social media or joining Swift's mailing list, offering a small boost.  But the biggest boost—a "high boost"—comes from actually purchasing Taylor Swift merchandise, including purchasing the album up to 13 times a day (from 13 different retailers) or buying official Reputation merchandise, like this 24 karat gold-plated ring. Tempting. [Correction: An earlier version of this article stated that the ring was 24 karat gold, rather than gold-plated.]  What does all this get you? Your aggregated boosts supposedly push you forward in line, with the Verified Fan Activity Meter showing you whether you sit at "wait list" or "priority." And if you look closely, you'll find that even boost activities guarantee little: "Your standing may change as more fans join the line and participate in boost activities. Keep checking back for new boost activities you can do everyday"—meaning, nothing is guaranteed as more fans join the ticket Hunger Games.   Read more: Taylor Swift loved the Academy Is… and Boys Like Girls just as much as you did in 2008  This is pretty messed up. Even if you register for tickets, there might be little to no chance you'll be getting the code if you're not regularly engaging in boost activities. No disposable income or social media accounts? Enjoy the (likely fruitless) wait list. If you're not boosting, it doesn't mean bad tickets—it may mean no tickets at all.  And even if those fans without the means to enjoy a priority ticket end up waiting til the general public onsale time, they'll have lost that presale opportunity for no reason other than the lack of desire to give Swift free marketing or shell out their money just for the chance to spend more money.  It's not as if ticket sales were a democracy to begin with. Better seats go to people who pay more. But fans shelling out hundreds only to overpay for merchandise and artificially inflate album sales (because someone is going to buy that album 13 times a day until tickets go on sale) are battling for nothing more than the chance to buy the best ticket. They're not just paying to play—they're paying to pay.  For context: Paramore's Verified Fan codes were sent out to all who pre-registered. twenty one pilots did the same thing for their Tour de Columbus arena shows, and for the smaller capacity venues, code recipients were picked at random, like a lottery.   Taylor Swift's ticket sales "game" is nothing more than a woefully transparent cash grab, and the promotional video below painting the whole arrangement as "fun" is just as bad. We just feel bad for the Taylor Swift fans who deserve a ticket to see their favorite artists, but likely won't have the chance because they can't pay 45 dollars for a T-shirt.      METALLICA has landed at position No. 1 on Billboard's "Hot Tours" list of top-grossing tours with $49.5 million in ticket sales from the first ten of the shows of the North American "WorldWired" tour that occurred during May and June. 464,988 tickets were sold during the first two months of the run, with Denver's NFL stadium, Sports Authority Field at Mile High, scoring the highest counts in both gross and attendance. A crowd of 51,955 fans attended the event that racked up $5.8 million in sales. Four other NFL stadiums during the first half of the summertime trek also topped the $5 million mark in sales for a single performance: Philadelphia's Lincoln Financial Field ($5.4 million) on May 12, MetLife Stadium ($5.1 million) in the New York City market on May 14, the Boston-area Gillette Stadium ($5.7 million) on May 19, and Chicago's Soldier Field ($5.3 million) on June 18. Sales from METALLICA's July and August concerts during the second half of the "WorldWired" summer trek will be reported at a later date. METALLICA drummer Lars Ulrich told Rolling Stone that the band was genuinely surprised to learn they could still play stadiums, saying, "It was like, 'Holy fuck, people really still care about this band in ways that you stopped taking for granted literally decades ago. It was very inspiring and kind of eye-opening." He added: "Full stadium runs can sometimes be a little intimidating. There's all these things to worry about like, 'You should really try to play maybe only on the weekend,' and, 'Where do you play on Tuesday?' and some of those practicalities can get a little bewildering. We just threw caution to the wind. Doing a stadium run seemed like the perfect thing on the back of how well this record has been received and all the good will that's out there in METALLICA's world right now." The first European leg of METALLICA's "WorldWired" tour kicks off on September 2 in Copenhagen, Denmark and stretches through November. After a break, the trek will pick up again on February 1, 2018 in Lisbon, Portugal, and continue through May, finishing up in Helsinki, Finland. The Rock And Roll Hall Of Fame band is touring in support of its tenth studio album, "Hardwired... To Self-Destruct", which came out last November.    Maywether/McGregor talk on fight day!  


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 29 August 2017  1h12m